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Compositions, Performances, Workshops, Software, Hardware

(2013) The Fluxus Tree
a part of duets for dancers and musicians
kings place, london, April 14 2013

(2013) Conway Collective: sculptural algorithmic installations
Conway Hall, London, Spring 2013

(2013) Three Streams for gesture and cello
CMPCP Performance Studies Network International Conference
Cambridge UK, 4-7 April 2013

(2012) The Fluxus Tree
Data from dancers interacting with sculptures generate notation live, which is then played by the composer and 'cellist Cheryl Frances-Hoad.
Jane Turner, Cheryl Frances-Hoad and Richard Hoadley
INTIME 2012 Symposium, 19th-20th October, 2012, University of Coventry, UK

(2012) Phase Transition - a dance and music performance experiment
Richard Hoadley and Jane Turner
Recital Hall, Anglia Ruskin University, Cambridge, UK, Sunday 28th October 2012
Cambridge Festival of Ideas

(2012) The Fluxus Tree
An interactive sculpture for dancer using data from sensors to help generate notation live, which is then played by the composer and 'cellist Cheryl Frances-Hoad.
Jane Turner, Cheryl Frances-Hoad and Richard Hoadley
LIVE INTERFACES: Performance, Art, Music, 7th-8th September, 2012, ICSRiM, School of Music, University of Leeds, UK

(2012) The Fluxus Tree
An interactive sculpture for dancer using data from sensors to help generate notation live, which is then played by the composer and 'cellist Cheryl Frances-Hoad.
A part of Degrees of Synchrony: an original dance and music performance investigating the boundaries between synchronisation and simultaneity.
Performance involving acoustic and electronic sound with choreographer Jane Turner and composer-performers
Tom Hall, Cheryl Frances-Hoad and Richard Hoadley.
13th May, Kettle's Yard, Cambridge

(2012) Player Piano
An automatic composition for computer generated piano and piano. The pianist's music is generated live in performance.
A part of Degrees of Synchrony: an original dance and music performance investigating the boundaries between synchronisation and simultaneity.
Performance involving acoustic and electronic sound with choreographer Jane Turner and composer-performers
Tom Hall, Cheryl Frances-Hoad and Richard Hoadley.
13th May, Kettle's Yard, Cambridge

(2012) Fluxus
automatic music for piano and computer
Composed by Richard Hoadley, performed by Richard Hoadley, January 17th, Cambridge, UK as a part of Future Fluxus

(2012) Calder's Violin
Automatic music for violin and computer
April 17th, City University, London
2012 SuperCollider Symposium

(2012) Conway Hall Confidential: Three Sounding Sculptures
Sculptural algorithmic installation
April 13th-14th, Conway Hall, London

(2011) Calder's Violin
Automatic music for violin and computer
2011 October 22, Cambridge Festival of Ideas

(2009-present) Devices and Units
Hardware and software interfaces for music performance, in development.

(2011) Triggered
Sculptural custom hardware and software interfaces and automatic composition for performers and dancers.
With Tom Hall, Jane Turner, Cheryl Frances-Hoad.
2011 June 13, Kings Place, London

(2011) One Hundred and Twenty-Seven Messages
Crowdsourced composition and performance controlled by mobile devices.
Presented at 'Sounds Like Mobility, A Mobile Media, Sound and Music Event',
Ruskin Gallery, Cambridge, 17th May

(2010-11) Touching Sound
Composition and Music Therapy project in preparation

(2010-11) Metapiano
Used in Triggered 2011 and Conway Hall Confidential: Three Sounding Sculptures
Some material also used in Calder's Violin

(2010) Cage Musicircus
Contribution using Wired, Gagglina and Gaggle to the performance in collaboration with Tom Hall et al., Kettles Yard,
Cambridge, 10th November 2010.

(2010) Triggered
Sculptural custom hardware and software interfaces and automatic composition for performers and dancers.
With Tom Hall, Jane Turner, Cheryl Frances-Hoad.
- Performance for CoDE New Materialism Conference, Anglia Ruskin University,
Monday 21st June 2010.
- Performance for Correspondence, a weekend of Creative Practice, London Metropolitan University,
Saturday 26th June 2010.

(2010) One Hundred and Twenty-Eight Haiku
Automatic performance/composition with custom hardware and software.
Part of Frame-breaking including original work in collaboration
with Katharine Norman, Sam Hayden, Katy Price, Tom Hall, Kettles Yard,
Cambridge, 9th May 2010.

(2010) MIST (Museums, Interfaces, Spaces, Techologies)
Invited performance using custom built hardware and software, AHRC Workshop, 22nd-23rd March 2010.

(2009) Gaggle: Hardware and Software Interface and Composition
Hardware, software, composition and performance commissioned by
British Computer Society HCI conference 2009, Cambridge
http://www.bcs-hci.org.uk/, September.
In collaboration with Tom Hall, Cheryl Francis-Hoad and Jane Turner and dancers

(2009) One Hundred and Twenty-Seven Haiku
Automatic performance/composition with custom software
Event in collaboration with Katharine Norman and Katy Price
Kettles Yard, Cambridge, May 2009

(2008) Many Worlds
Semi-automatic music (SuperCollider)
A component part of Silent Histories: soundscapes and compositions on the themes of stillness, technology and place.
Music and performances by Kerstin Bueschges, Kevin Flanagan, Richard Hoadley and Paul Rhys.
Kettles Yard, Cambridge, May 2008

(2007) Telephony
MaxMSP and Telephones, concert version approx. 9:29.
Commissioned for Kettle's Yard New Music, Kettle's Yard 2007

(2006) Histrionica
A melodrama for 'cello and gamelan instruments; 6:26.
First performed at Kettle's Yard, Cambridge in March 2006 by Anton Lukoszevieze
and members of the Cambridge Gamelan Society.

(2004) Hello
semi-automatic live performance music for computer, 6:22.
Commissioned for Kettle's Yard New Music, February 2004

(2002) Ambience
semi-automatic live performance music for computers and synthesisers (pSY).
Commissioned for Cambridge New Music Group Inaugural Concert, April 2002

(1999) The Copenhagen Interpretation
automatic live performance music for computers and synthesisers (pSY), 16:30.
Commissioned for Cambridge Digital Arts Festival, June 1999.

(1998) The Continual Snowfall of Petrochemicals
automatic live performance music for computers and synthesisers (pSY).
Commissioned for Cambridge Digital Arts Festival, June 1998.

(1994) Four Archetypes
for large orchestra, 16:00.
Commissioned by the Cambridge-Heidelberg-Montpelier Orchestra with funds provided by Eastern Arts, 1994.

(1992) Three Pieces for Two Pianos
for two pianos, 36:00.
Commissioned by Philip Mead and Steve Guttman, pianos, 1992

(1989, rev. 1991) Shilbottle Cobbles
for wind orchestra, 17:00, recording
Commissioned by the Charterhouse Wind Orchestra.

(1989, rev. 1990) In Principio
for choir and organ or choir and brass quintet, 12:30.
Commissioned by the Charterhouse Choir.

(1988) Concertino
for violin, clarinet, 'cello, piano, 12:00.
Written for the Huddersfield Contemporary Music Festival.

(1988) Only Connect
for orchestra, 17:00.
Written for the Durham University Orchestra,
performed on Radio Three 'Music in our Time' by the BBC Symphony Orchestra
conducted by Robert Zeigler.

(1987) String Sextet (Still Life)
Written for the Huddersfield Contemporary Music Festival, 16:10.

(1987) Scena
for Tenor Voice and Chamber Ensemble, 16:00.

(1987) Through the Sharp Hawthorn (Blows the Cold Wind)
for flute and piano, 20:26.

(1979-2001) Miscellaneous Pieces

More music... more software...

title/more information	resources	duration	date	revised	midi	sibelius 'scorch'	audio
Devices	hardware interface for music performance		2009	2010			✓
One Hundred and Twenty-Eight Haiku	automatic music for hardware interfaces and computers	12:00	2010
Triggered	hardware interface systems for music performance		2010				✓
Gaggle	hardware interface for music performance		2009				✓
One Hundred and Twenty-Seven Haiku	automatic music for computer	11:45	2009				✓
Many Worlds	semi-automatic music (SuperCollider)	10:00	2008				✓
Telephony	MaxMSP and telephone(s)	~10:00	2007				✓
Click	semi-automatic live performance music for computer		2006
Histrionica	a melodrama for 'cello and gamelan instruments	6:20	2006		✓	✓	✓
Hello	semi-automatic live performance music for computer	~6:22	2004				✓
Ambience	pSY (computers/SY synths)	7:52	2002				✓
The Copenhagen Interpretation	computers and synthesisers	16:30	1999				✓
A Continual Snowfall of Petrochemicals	computers and synthesisers	n/a	1998				✓
Four Archetypes	large orchestra	16:00	1994		✓	✓
Three Pieces for Two Pianos	two pianos, four hands	35:45	1992		✓		✓
Shilbottle Cobbles	wind orchestra	16:00	1989	1991			✓
Concertino	violin, clarinet, 'cello, piano	12:00	1988	-	✓
In Principio	choir & organ or brass quintet	12:36	1988	1989			✓
Only Connect	orchestra	17:00	1987	1992			✓
Sextet (Still Life)	string sextet	16:00	1986-7				✓
Through the Sharp Hawthorn	flute and piano	21:00	1986	1990	✓		✓
Music For Good Friday	piano	8:07	1981	-	✓
Five Pieces for Violin and Viola	violin and viola	10:00	1979	1982, 1988	✓
Miscellaneous Pieces	various	-	-	-

Last modified: November 11 2012 12:15:41.

Compositions, Performances, Workshops, Software, Hardware

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