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Triggered

with experimental sculptural performance interfaces

2011 June 13, Kings Place, London
[ Other performances ]



 

 

Event programme [774KB]
Event webpage [203KB]

Somewhere between improvisation and composition, art and science, lies Triggered - a dance-music-digital performance that builds on the Cage-Cunningham legacy of interaction between music, dance and technology. Dancers initiate music by interacting with free-standing and suspended sculptures. Sound and movement evolve in response to feedback, producing a sophisticated, highly-charged performance.

Performing, choreographing, composing and building the production are composers Cheryl Frances-Hoad, Tom Hall, Richard Hoadley, choreographer Jane Turner with dancers David Ogle and Ann Pidcock. Special guest composers and performers are Sam Hayden and Jonathan Impett.

This performance of Triggered is sponsored by the CoDE Institute of Anglia Ruskin University

Triggered: metapiano - June 13th 2011, Kings Place, London from Richard Hoadley on Vimeo.

Papers involving Triggered

(2011) Analysis of Algorithmic Music Generated through Physical Embodiment
Seventh International Conference on Music Since 1900/International Conference of the Society for Music Analysis
University of Lancaster, July

(2011) Music, Movement and Magic
Audio Engineering Society, Cambridge, 31st March, ARU

(2010) Intimate Physical Control of Musically Expressive Algorithms
with Satinder Gill, DMRN+5: Digital Music Research Network One-day Workshop 2010
Queen Mary, University of London, Tuesday 21st Dec 2010

(2011) The Metapiano: composing and improvising with sculpture
Proceedings of ISEA, Istanbul, 2011

(2011) Sculpture as Music Interface
Proceedings of ICMC, Huddersfield, 2011

(2010) Form and Function: Examples of Music Interface Design
Proceedings of the HCI2010 Conference, Dundee 2010

(2010) Implementation and Development of Sculptural Interfaces for Digital Performance 
of Music through Embodied Expression 
Proceedings of the Electronic Visualisation and the Arts Conference, London 2010
(IBSN: 978-1-906124-65-6)

(2010) Implementation and Development of Interfaces for Music Performance through 
Analysis of Improvised Dance Movements
Proceedings of the 128th Audio Engineering Society Convention, London, 2010
(ISBN: 978-0-937803-74-5)

 
 
 
 
 
 

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