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through the sharp hawthorn only connect in principio miscellaneous concertino three pieces for two pianos four archetypes petrochemicals copenhagen ambience hello
histrionica telephony many worlds 127 haiku 128 haiku triggered touching sound 127 messages calder's violin fluxus fluxus tree player piano three streams quantum canticorum december variations december mobile semaphore piano glyphs how to play the piano choreograms edge violations homage unthinking
devices: gaggle gagglina wired threads glyphs metapiano digiphone
NB All material on this site is © Richard Hoadley (and others), 1990-2018
Somewhere between improvisation and composition, art and science, lies Triggered - a dance-music-digital performance that builds on the Cage-Cunningham legacy of interaction between music, dance and technology. Dancers initiate music by interacting with free-standing and suspended sculptures. Sound and movement evolve in response to feedback, producing a sophisticated, highly-charged performance.
Performing, choreographing, composing and building the production are composers Cheryl Frances-Hoad, Tom Hall, Richard Hoadley, choreographer Jane Turner with dancers David Ogle and Ann Pidcock. Special guest composers and performers are Sam Hayden and Jonathan Impett.
Papers involving Triggered
(2011) Analysis of Algorithmic Music Generated through Physical Embodiment Seventh International Conference on Music Since 1900/International Conference of the Society for Music Analysis University of Lancaster, July (2011) Music, Movement and Magic Audio Engineering Society, Cambridge, 31st March, ARU (2010) Intimate Physical Control of Musically Expressive Algorithms with Satinder Gill, DMRN+5: Digital Music Research Network One-day Workshop 2010 Queen Mary, University of London, Tuesday 21st Dec 2010 (2011) The Metapiano: composing and improvising with sculpture Proceedings of ISEA, Istanbul, 2011 (2011) Sculpture as Music Interface Proceedings of ICMC, Huddersfield, 2011 (2010) Form and Function: Examples of Music Interface Design Proceedings of the HCI2010 Conference, Dundee 2010 (2010) Implementation and Development of Sculptural Interfaces for Digital Performance of Music through Embodied Expression Proceedings of the Electronic Visualisation and the Arts Conference, London 2010 (IBSN: 978-1-906124-65-6) (2010) Implementation and Development of Interfaces for Music Performance through Analysis of Improvised Dance Movements Proceedings of the 128th Audio Engineering Society Convention, London, 2010 (ISBN: 978-0-937803-74-5)