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Triggered (2009, 2010, 2011)

with experimental sculptural performance interfaces

performances:
- 2009 September 1-5, Cambridge University Computer Lab, BCS HCI Conference
- 2010 June 21, Anglia Ruskin University International Symposium on New Materialism and Digital Culture
- 2010 June 26, London Metropolitan University, Correspondences
- 2011 June 13, Kings Place, London



 

 

Triggered Excerpts (London 2011) from Richard Hoadley on Vimeo.

Somewhere between improvisation and composition, art and science, lies Triggered - a dance-music-digital performance that builds on the Cage-Cunningham legacy of interaction between music, dance and technology. Dancers initiate music by interacting with free-standing and suspended sculptures. Sound and movement evolve in response to feedback, producing a sophisticated, highly-charged performance.

Performing, choreographing, composing and building the production are composers Cheryl Frances-Hoad, Tom Hall, Richard Hoadley, choreographer Jane Turner with dancers David Ogle and Ann Pidcock. Special guest composers and performers are Sam Hayden and Jonathan Impett.

Performances of Triggered have been sponsored by the CoDE Research Institute of Anglia Ruskin University


Papers and publications related to Triggered


Performances and demonstrations
(2012) Conway Hall Confidential: Three Sounding Sculptures
Sculptural algorithmic installation, April 13th-14th, Conway Hall, London
http://rhoadley.net/comp/calder/conway_confidential_info-s.pdf

(2011) Triggered
Sculptural custom hardware and software interfaces and automatic composition for performers and dancers, June 13, Kings Place, London
http://rhoadley.net/comp/triggered/kingsplace2011.php

(2010) Triggered
Sculptural custom hardware and software interfaces and automatic composition for performers and dancers, with Tom Hall, Jane Turner, Cheryl Frances-Hoad.
Performance for CoDE New Materialism Conference, Anglia Ruskin University, Monday 21st June 2010.
http://www.anglia.ac.uk/ruskin/en/home/microsites/code/code_events/code_events_archive/new_materials_symposium.html
Performance for Correspondence, a weekend of Creative Practice, London Metropolitan University, Saturday 26th June 2010.
http://www.londonmet.ac.uk/thefacility/events/correspondence.cfm

(2010) MIST (Museums, Interfaces, Spaces, Techologies)
Invited performance using custom built hardware and software, AHRC Workshop, 22nd-23rd, Cambridge March 2010.
http://moodle.expressivespace.org

(2010) Cage Musicircus
Performance using Wired, Gagglina and Gaggle to the collaborative performance, Kettle's Yard, Cambridge, 10th November 2010.
http://rhoadley.net/images/cage_musicircus-s.pdf

(2009) Gaggle: Hardware and Software Interface and Composition
Hardware, software, composition and performance commissioned by British Computer Society HCI conference 2009, Cambridge, September.
http://rhoadley.net/comp/gaggle/

Publications
(2013) Touching Sound: Vulnerability and Synchronicity
Sam Aaron, Phil Barnard, ian Cross, Santinder Gill, Tommi Himberg, Richard 
Hoadley, Helen Odell-Miller, Rob Toulson, and Bonnie Kempske
Proceedings of the CHI2013 workshop on Designing for and with vulnerable people 
http://di.ncl.ac.uk/vulnerability/files/2013/02/Aaron_DFWVP2013.pdf

(2011) The Metapiano: composing and improvising with sculpture
Proceedings of International Symposium for Electronic Arts, Istanbul, 2011
http://isea2011.sabanciuniv.edu/dr.hoadley

(2011) Sculpture as music interface
Proceedings of the International Computer Music Conference, University of Huddersfield, 2011
(ISBN: 978-0-9845274-0-3)
http://quod.lib.umich.edu/cgi/p/pod/dod-idx/sculpture-as-music-interface.pdf?c=icmc;idno=bbp2372.2011.089

(2010) Form and function: examples of music interface design
Proceedings of the HCI2010 Conference, Dundee
http://rhoadley.net/texts/hci2010/hci2010_submission_108.pdf

(2010) Implementation and development of sculptural interfaces for digital performance 
of Music through Embodied Expression 
Proceedings of the Electronic Visualisation and the Arts Conference, London, (IBSN: 978-1-906124-65-6)
http://ewic.bcs.org/content/ConWebDoc/36096

(2010) Implementation and development of interfaces for music performance through analysis of improvised dance movements
Proceedings of the 128th Audio Engineering Society Convention, London, (ISBN: 978-0-937803-74-5)

(2010) Implementation and Development of Interfaces for Music Performance through 
Analysis of Improvised Dance Movements
AES 128th Convention, Audio Engineering Society, 
London, May 22 - May 25, (ISBN: 978-0-937803-74-5), poster


Papers and presentations
(2012) Touching Sound: technologies for mediated interaction in music therapy
Sam Aaron, Ian Cross, Satinder Gill, Tommi Himberg, Richard Hoadley, Helen Odell-Miller, Rob Toulson
7th Nordic Music Therapy Congress, University of Jyvaskyla, Finland, June 13-17
http://rhoadley.net/research/abstracts/NMTC2012_abstract_final.pdf

(2010) Implementation and development of interfaces for music performance 
through analysis of improvised dance movements
SuperCollider Symposium, Berlin, September 23rd-26th
http://supercollider2010.de/conference.html

(2010) Intimate physical control of musically expressive algorithms
with Satinder Gill, DMRN+5: Digital Music Research Network One-day Workshop 2010
Queen Mary, University of London, Tuesday 21st Dec 2010

(2009) The development of music interfaces through improvised dance movement
Paper presented at Collaborative Processes in Music Making: Pedagogy and Practice, University of Surrey, 11th November
http://78.158.56.101/archive/palatine/events/viewreport/1577/index.html

Workshops
(2011) Touching sound: an interactive workshop concerning human computer interaction in health and music
This research seeks to describe, implement and analyse work that investigates unique methods of articulating and implementing expressive gesture through physical interaction with objects.
Led by Richard Hoadley and Satinder Gill.
Anglia Ruskin University, 21st June.

(2011) Performance Innovations Workshop
Exploring sensor technologies in developing new composition, resulting in a performance sharing. 
Led by Jane Turner with composers/music technologists Richard Hoadley and Tom Hall
London Metropolitan University, 9th June.
http://www.performanceinnovations.org





Video and Audio examples

Triggered: metapiano - June 13th 2011, Kings Place, London from Richard Hoadley on Vimeo and YouTube

Triggered - Jane Turner from Sean Bruno on Vimeo and YouTube.