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through the sharp hawthorn only connect in principio miscellaneous concertino three pieces for two pianos four archetypes petrochemicals copenhagen ambience hello histrionica
telephony many worlds 127 haiku 128 haiku triggered touching sound 127 messages calder's violin fluxus player piano
devices: gaggle gagglina wired threads glyphs metapiano digiphone
NB All material on this site is © Richard Hoadley (and others), 1990-2012
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Constructed using SuperCollider, One Hundred and Twenty-seven Haiku is a development of pSY and it's products The Copenhagen Interpretation (1998-1999) and Ambience (2002) and the more recent Many Worlds (2008). The former used custom made software made with Visual Basic to control Yamaha SY synthesisers. The latter used SuperCollider to control similar TG77 synths. One Hundred and Twenty-Seven Haiku uses SuperCollider to do everything: design and generate the sounds as well as decide when to play them and what they should play.
The Generator was originally designed and copyrighted by AHA! Software Inc., Victoria, BC, Canada and can be found here.
One plan is to display the haikus while the piece is being performed, ad libitum. It's possible that I'll try to find a way for the haikus to actually influence the performance of the piece. But let me deal with the piece first...