2018-present
automatic music for choir, material objects,
electronics and live score projection
music and programming by Richard Hoadley
text by Bishop George Berkeley
2018-present
automatic music for choir, material objects,
electronics and live score projection
music and programming by Richard Hoadley
text by Bishop George Berkeley
2018-present
automatic music for choir, material objects,
electronics and live score projection
music and programming by Richard Hoadley
text by Bishop George Berkeley
2014
automatic music for dancers, musicians, computer and live score projection
music and programming by Richard Hoadley; text by Phil Terry; choreography by Jane Turner
1994
for large orchestra
commissioned by the Cambridge-Heidelberg-Montpelier Orchestra
with funds provided by Eastern Arts
2016
automatic music for dancers, musicians, computer and live score projection
music and programming by Richard Hoadley; text by Phil Terry; choreography by Jane Turner
2016
automatic music for dancers, musicians, sensing devices, hangings and computer
music and programming by Richard Hoadley; choreography by Jane Turner; hangings by
2018
automatic music for choir, material objects,
electronics and live score projection
music and programming by Richard Hoadley
text by Bishop George Berkeley
2011
automatic music for violin and computer
1988-1991
wind orchestra
Listening to Lulu, in our hearth we burn, as we hear the high Cs rise in stereo, what was lush swamp club-moss and tree-fern at least 300 million years ago. Shilbottle cobbles, Alban Berg high D lifted from a source that bears your name, the one we hear decay, the one we see, the fern from the foetid forest, as brief flame.
Tony Harrison, v