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One Hundred and Twenty-Eight Haiku

automatic music for hardware interfaces and computers
May, 2010

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About the piece

One Hundred and Twenty-Eight Haiku is based on two developments from 2009: the generative composition/performance One Hundred and Twenty-Seven Haiku and the hardware and software performance tool Gaggle. These two items are joined by two other newly developed experimental devices: Touchtree and Gagglina, and these items are amalgamated into a performance which is in turn improvised, composed and automatically generated. Richard HOADLEY has as a composer in recent years focused on the investigation of the use of technology in the compositional process: the nature of indeterminacy in music and its aesthetic and philosophical ramifications, and the effect of the interface in different forms on the creative process. rhoadley.net

Photo courtesy of Tim Regan

Haiku Generator

The Generator was originally designed and copyrighted by AHA! Software Inc., Victoria, BC, Canada.

One plan is to display the haikus while the piece is being performed, ad libitum. It's possible that I'll try to find a way for the haikus to actually influence the performance of the piece. But let me deal with the piece first...