rhoadley.net   music   research   courses   software   blogs

through the sharp hawthorn   only connect   in principio   miscellaneous   concertino   three pieces for two pianos   four archetypes   petrochemicals   copenhagen   ambience   hello   histrionica  
telephony   many worlds   127 haiku   128 haiku   triggered   touching sound   127 messages   calder's violin   fluxus   fluxus tree   player piano   three streams

devices:   gaggle   gagglina   wired   threads   glyphs   metapiano   digiphone


NB All material on this site is © Richard Hoadley (and others), 1990-2013


Triggered (2009, 2010, 2011)

with experimental sculptural performance interfaces

performances:
2009 September 1-5, Cambridge University Computer Lab, BCS HCI Conference
2010 June 21, Anglia Ruskin University International Symposium on New Materialism and Digital Culture
2010 June 26, London Metropolitan University, Correspondences
2011 June 13, Kings Place, Kings Place, London



 

 

Triggered Excerpts (London 2011) from Richard Hoadley on Vimeo.

Somewhere between improvisation and composition, art and science, lies Triggered - a dance-music-digital performance that builds on the Cage-Cunningham legacy of interaction between music, dance and technology. Dancers initiate music by interacting with free-standing and suspended sculptures. Sound and movement evolve in response to feedback, producing a sophisticated, highly-charged performance.

Performing, choreographing, composing and building the production are composers Cheryl Frances-Hoad, Tom Hall, Richard Hoadley, choreographer Jane Turner with dancers David Ogle and Ann Pidcock. Special guest composers and performers are Sam Hayden and Jonathan Impett.

Performances of Triggered have been sponsored by the CoDE Research Institute of Anglia Ruskin University


Papers and publications involving Triggered

(2011) The Metapiano: composing and improvising with sculpture
Proceedings of International Symposium for Electronic Arts, Istanbul, 2011

(2011) Sculpture as music interface
Proceedings of the International Computer Music Conference, University of Huddersfield, 2011
(ISBN: 978-0-9845274-0-3)

(2010) Implementation and Development of Interfaces for Music Performance 
through Analysis of Improvised Dance Movements
SuperCollider Symposium, Berlin, September 23rd-26th

(2010) Form and Function: Examples of Music Interface Design
HCI2010 Conference, Dundee, September 6th-10th

(2010) Implementation and Development of Sculptural Interfaces for Digital Performance 
of Music through Embodied Expression 
Electronic Visualisation and the Arts, 
London 2010, Monday 5th - Wednesday 7th July

(2010) Implementation and Development of Interfaces for Music Performance through 
Analysis of Improvised Dance Movements
AES 128th Convention, Audio Engineering Society, 
London, May 22 - May 25, poster

(2010) Towards Embodied Control of Algorithmic Music
with Tom Hall, Music and Numbers Conference, Department of Music 
Canterbury Christ Church University, 14 - 15 May
(Abstract published in ISBN 978-1-899253-76-0)

Video and Audio examples

Triggered: metapiano - June 13th 2011, Kings Place, London from Richard Hoadley on Vimeo and YouTube

Triggered - Jane Turner from Sean Bruno on Vimeo and YouTube.