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five pieces sextet through the sharp hawthorn only connect in principio miscellaneous concertino three pieces for two pianos four archetypes petrochemicals copenhagen ambience hello histrionica telephony many worlds 127 haiku 128 haiku triggered touching sound 127 messages
calder's violin fluxus fluxus tree player piano three streams quantum canticorum december variations december mobile semaphore piano glyphs how to play the piano choreograms edge violations homage unthinking not songs
devices: gaggle gagglina wired threads glyphs metapiano digiphone
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Touching sound: an interactive workshop concerning human computer interaction in health and music
21st June 2011, 10am-6pm, Anglia Ruskin University, Cambridge UK
In spite of many years of research into human computer interaction there have consistently been issues with the explicit adoption of technology in therapeutic environments, not least because of the way in which clients and practitioners view such technologies: as unnecessary and intrusive. At the same time, there are many ways in which technology can be used positively, for instance in the spontaneous generative of aesthetically interesting artefacts as well as the exploitation of kinaesthetic and multisensory elements.
The research seeks to describe, implement and analyse work that investigates unique methods of articulating and implementing expressive gesture through physical interaction with objects. This includes the implementation of custom-designed and built hardware and software using methods that are as close to invisible to clients and practitioners as possible while still maintaining the benefits of cutting-edge digital technologies. In particular activities in music performance, dance and various physical and arts therapies are considered.
The project seeks to build a conclusive framework for the funding bid to the NIHR Research for Innovation, Speculation and Creativity (RISC) Programme, the EPSRC and the MRC.
The aim of the workshop is to inform, discuss these fundamental ideas, as well as related theories and innovative applications in music instrumentation, gestural and movement interaction, multisensory engagement and entrainment and synchronisation, rhythm and prosody, emotion and responsivity.
The workshop will include a practical demonstration of a potential prototype instrument.
Key outcomes of the workshop:
The workshop is organised by Tommi Himberg (University of Jyvaskyla, Finland), Helen Odell-Miller (ARU Music and Health Research Group), Richard Hoadley (CoDE/DPL/MPA), Satinder Gill (Centre for Music and Science), Finland) and Ian Cross (West Road Centre for Music and Science).
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