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compositions software hardware publications papers workshops consultancy
Publications (2017) How To Play the Piano: Dynamic Cross-domain Expression, Notation, Technology and Performance Chapter in New Thoughts on Piano Performance London International Piano Symposium 2016 ISBN: 978-164007055-4 (2016) How To Play the Piano Proceedings of ICMC 2016, HKU University of the Arts Utrecht, 12th-16th September 2016, ICMA http://www.icmc2016.com/proceedings.pdf, p176-180 ISBN-10: 0-9845274-5-1 ISBN-13: 978-0-9845274-5-8 (2016) Live coding, live notation, live performance Proceedings of Electronic Visualisation and the Arts Conference British Computer Society 2016 ISBN: 978-1-78017- 344-3 ISSN: 1477-9358 (2016) Notating Movement Musically Proceedings of the Symposium on Movement and Computing (MOCO) 2016, Thessaloniki, Greece, July 5th-7th, ACM Digital Library (2015) Semaphore: Cross-Domain Expressive Mapping with Live Notation TENOR First International Conference on Technology for Music Notation and Representation, Paris, France, May 28th-31st http://tenor2015.tenor-conference.org/TENOR2015-Proceedings.pdf ISBN: 978-2-9552905-0-7 EAN: 9782955290 50 7 (2014) Making People Move: Dynamic musical notations University of Athens, September 2014 Proceedings of the International Computer Music Conference 2014, Athens, Greece, September 2014 Permalink: http://hdl.handle.net/2027/spo.bbp2372.2014.274 (2014) December Variations (on a Theme by Earle Brown) University of Athens, September 2014 Proceedings of the International Computer Music Conference Permalink: http://hdl.handle.net/2027/spo.bbp2372.2014.020 (2014) Dynamic Music Notation in Quantum Canticorum Goldsmiths College, University of London, Wednesday 2nd April 2014 Proceedings of the Live Algorithms for Music Symposium, a part of the 50th Artificial Intelligence and Simulation of Behaviour Convention Available: http://doc.gold.ac.uk/aisb50/AISB50-S15/AISB50-S15-Hoadley-paper.pdf (2013) Touching Sound: Vulnerability and Synchronicity Sam Aaron, Phil Barnard, ian Cross, Santinder Gill, Tommi Himberg, Richard Hoadley, Helen Odell-Miller, Rob Toulson, and Bonnie Kempske Available: Proceedings of the CHI2013 workshop on Designing for and with vulnerable people (2012) Calder's Violin: real-time notation and performance through musically expressive algorithms Proceedings of the International Computer Music Conference, IRZU, Ljubljana, Slovenia, 9-15 September (2011) The Metapiano: composing and improvising with sculpture Proceedings of International Symposium for Electronic Arts, Istanbul, 2011 (2011) Sculpture as music interface Proceedings of the International Computer Music Conference, University of Huddersfield (ISBN: 978-0-9845274-0-3) (2011) A principled approach to developing new languages for live coding Samuel Aaron, Alan F. Blackwell, Richard Hoadley and Tim Regan, Proceedings of NIME (New Interfaces for Musical Expression), Oslo, 2011 (ISBN: 978-82-991841-7-5) (2010) Form and function: examples of music interface design BCS '10 Proceedings of the 24th BCS Interaction Specialist Group Conference, Dundee 2010, Pages 479-483 (ISBN: 978-1-78017-130-2) (2010) Implementation and development of sculptural interfaces for digital performance of Music through Embodied Expression Proceedings of the Electronic Visualisation and the Arts Conference, London 2010 (IBSN: 978-1-906124-65-6) (2010) Implementation and development of interfaces for music performance through analysis of improvised dance movements Proceedings of the 128th Audio Engineering Society Convention, London, 2010 (ISBN: 978-0-937803-74-5) (2002) Music and technocracy in Diversity or Anarchy?: Papers from the 31st Annual Manchester Broadcasting Symposium (Current Debates in Broadcasting) University of Luton Press, December 2002 (ISBN: 978-1-860205-91-0)
Papers and Presentationscompositions software hardware publications papers workshops consultancy
(2017) Walking Within Sound CoDE (Cultures of the Digital Economy) StoryLab Symposium, Anglia Ruskin University, 7th June 2017 (2016) How To Play the Piano ICMC 2016, HKU University of the Arts Utrecht, 12th-16th September 2016 (2016) Intersemiotic translations and live notations in dance, music, poetry and graphics Music and Visual Cultures Conference, Maynooth University, Ireland, 21st-23rd July 2016 (2016) Live Performance with Live Scores Fourth Performance Studies Network International Conference, Bath Spa University, 14th July 2016 (2016) Live Coding, Live Notation, Live Performance EVA London 2016, British Computer Society, Southampton Street, London, 12th-14th July 2016 (2016) Notating Movement Musically Third International Symposium on Movement and Computing, Thessaloniki, Greece, 5th-6th July 2016 (2016) Musical Virtuosity and Live Notation Virtuosity - An interdisciplinary symposium, The Liszt Academy of Music, Budapest, 3-6 March 2016 (2015) Real-time generation and presentation of music, text and dance notations DMRN+10: Digital Music Research Network One-day Workshop 2015 Queen Mary University of London, Tuesday 22nd December 2015 (2015) Dynamic cross-domain expression: notation, interpretation, technology and performance Lecture recital with Philip Mead, INTIME 2015 - Landscapes and Environments: Experimentation and Transformation in Sound and Music Coventry University, 24th-25th October 2015 (2015) Dynamic cross-domain expression: notation, interpretation, technology and performance Lecture recital with Philip Mead, The London International Piano Symposium, Royal College of Music, 14 February 2015 (2014) Signs and Semaphores: cross-domain expressive mapping BIBAC 2014 IInternational Conference, University of Cambridge, 24-26 October 2014 (2014) Making People Move: Dynamic musical notations Demonstration, ICMC, University of Athens, September 2014 Proceedings of the International Computer Music Conference 2014, Athens, Greece, September 2014 (2014) Variations on a Theme by Earle Brown Goldsmiths University of London, May 15-17 2014 a part of the Histories, Theories and Practices of Aound Art Conference (2014) Dynamic Music Notation in Quantum Canticorum Goldsmiths University of London, 1600, Wednesday 2nd April 2014 a part of the Live Algorithms for Music Symposium (2014) Ways of Making People Move: composing through the live generation of musical scores Composition in the 21st Century, Trinity College Dublin, 5-7 March 2014 (2013) Demonstration of Interactive and Algorithmic Technologies for Performance Mapping, AES showcase at Dolby Europe, 4-6 Soho Square, London, 12 November, 1830-2000 (2013) Touching Sound: technologies for mediated interaction in music Presentation by Richard Hoadley and Satinder Gill as a part of 'The mind behind the music' at the Centre for Music and Science, Faculty of Music, West Road, University of Cambridge, UK, Wednesday 30th October Cambridge Festival of Ideas (2013) Variations on a Theme by Earle Brown INTIME Symposium, Coventry University, October 20-21 2013 (2013) Ways of Making People Move: mapping and interpretation in the live generation of augmented musical scores Notation in Contemporary Music Symposium, Goldsmiths, October 19-21 2013 (2013) Physical interaction and interpretation in the generation of musical scores Invited presentation at the INScore Workshop for Dynamic Scores Universite Jean Monnet, Saint-Etienne, for Grame, Lyon, France, 29th April (2013) Touching Sound: Vulnerability and Synchronicity Sam Aaron, Phil Barnard, ian Cross, Santinder Gill, Tommi Himberg, Richard Hoadley, Helen Odell-Miller, Rob Toulson, and Bonnie Kempske CHI2013 workshop on Designing for and with vulnerable people, April 27, Paris (2013) Live, algorithmically generated notation, creativity and performance CMPCP Performance Studies Network International Conference, 4-7 April 2013, Cambridge UK (2013) Sculpture as Music Interface Fine Arts Research Unit, February 13 2013, Cambridge UK (2013) Cross-media expressive mapping Anglia Ruskin University Research Conference, 15 January 2013, Cambridge UK (2012) Touching Sound: technologies for mediated interaction in music Presentation by Richard Hoadley AHRC Digital Transformations Moot 19 November 10-4pm Mermaid Conference Centre, London (2012) The Fluxus Tree: notating musical movement INTIME 2012 Symposium, 19th-20th October, 2012, University of Coventry, UK (2012) Touching Sound: technologies for mediated interaction in music Presentation by Richard Hoadley and Satinder Gill as a part of 'The mind behind the music' at the Centre for Music and Science, Faculty of Music, West Road, University of Cambridge, UK, Wednesday 24th October Cambridge Festival of Ideas (2012) Touching Sound: technologies for mediated interaction in music therapy Presentation by Richard Hoadley and Helen Odell-Miller The Body in the World - The World in the Body. 13th International EABP Congress of Body Psychotherapy. University of Cambridge, UK, September 14-17 (2012) Touching Sound: technologies for mediated interaction in music therapy Sam Aaron, Ian Cross, Satinder Gill, Tommi Himberg, Richard Hoadley, Helen Odell-Miller, Rob Toulson 7th Nordic Music Therapy Congress University of Jyvaskyla, Finland, June 13-17 (2012) Notating Musical Movement CoDE Research 1st Annual Conference Anglia Ruskin University, March 27-28 (2012) Notating algorithms Symposium for Performance of Electronic and Experimental Music (SPEEC) University of Oxford, January 6-7 (2011) Real-time generation of music notation using algorithms and physical movement DMRN+6: Digital Music Research Network One-day Workshop 2011 Queen Mary University of London, Tuesday 20th December (2011) Analysis of algorithmic music generated through physical embodiment Seventh International Conference on Music Since 1900/International Conference of the Society for Music Analysis University of Lancaster, July (2011) One Hundred and Twenty-Seven Messages Crowdsourced composition and performance controlled by mobile devices. Presented at 'Sounds Like Mobility, A Mobile Media, Sound and Music Event', Ruskin Gallery, Cambridge, 17th May (2011) Music, movement and magic Audio Engineering Society, Cambridge, 31st March, ARU (2010) Intimate physical control of musically expressive algorithms with Satinder Gill, DMRN+5: Digital Music Research Network One-day Workshop 2010 Queen Mary, University of London, Tuesday 21st Dec 2010 (2010) Music technology now: instruments and algorithms with Tom Hall, Cambridge Festival of Ideas, Cambridge, October 24th (2010) Implementation and development of interfaces for music performance through analysis of improvised dance movements SuperCollider Symposium, Berlin, September 23rd-26th (2010) Towards embodied control of algorithmic music with Tom Hall, Music and Numbers Conference, Department of Music Canterbury Christ Church University, 14 - 15 May (Abstract published in ISBN 978-1-899253-76-0) (2010) Gaggle and Digital Performance Laboratory Presentation for Microsoft Research Cambridge, Computer Mediated Living Group, 11th January (2009) The development of music interfaces through improvised dance movement Paper presented at Collaborative Processes in Music Making: Pedagogy and Practice, University of Surrey, 11th November (2008) Performing computer music: a time and motion study Invited paper presented at Time in Media Arts: A Symposium on Film, Video, Sound and Movement, Anglia Ruskin University, 28th November (2007) Judge Proulx's ruling Invited paper presented at The Sight of Sound: Inter-media Centre for Research in the Arts, Social Sciences and Humanities, Cambridge University, 30th November (2001) Is music real? Paper presented at the Joint Universities Music Colloquia, Anglia Ruskin University, 26th February (2001) Music and technocracy Paper presented at the 31st Annual Manchester Broadcasting Symposium (Current Debates in Broadcasting), University of Manchester, May (2000) Computer technology and musical expression Paper presented at the Mumford Theatre, Anglia Ruskin University as part of the Joint Universities Music Colloquia, November 2000 Paper presented at the University of Birmingham Conference, 'Art Music in the Twentieth Century', November (2000) Metaphor, memes and the cartesian music-hall Paper presented at the APU Research Conference, June (2000) Metaform and metaforming Paper presented at the Joint Universities Music Colloquia, Anglia Ruskin University, Nov 2000, and at the APU Conference, 'Form and Forming', April (2000) Music technology and musical expression Paper presented at the Anglia Ruskin University Research Lecture Series, February (1999) pSY and The Copenhagen Interpretation Paper presented at the Anglia Ruskin University Research Lecture Series, July (1991) Choice and Chance: randomness and recursion in music RMA Research Conference, APU, June
| Performing Computer Music: a Time and Motion Study - Invited paper delivered at Time in Media Arts: A Symposium on Film, Video, Sound and Movement , 28th November 2008 | - | info |
| Performance Interface Workshop - with Andrew Sparling, Clarinet, 22nd February 2008 | - | info |
| Judge Proulx's Ruling - Invited paper delivered at The Sight of Sound: Inter-media, 30th November 2007, Centre for Research in the Arts, Social Sciences and Humanities, Cambridge University | - | info |
| Collaborative Performance Technology Workshop - December 20-21st 2006, Workshop Leader, Centre for Research in the Arts, Social Sciences and Humanities, Cambridge University | - | info |
| The Sound Archive of the Library of Babel Under development | - | text • abstract • software |
| Is Music Real? Delivered at the Mumford Theatre, APU, 26th February 2001 as part of the Joint Universities Music Colloquia | - | text • abstract |
| Music and Technocracy - Delivered at the University of Manchester International Broadcasting Symposium, May 2001 | - | text • abstract |
| Why do we Sing? - Under development | - | text • abstract |
| Evolution, Computers and the Musically Beautiful: Reframing the Musical Aesthetic. - Under development | - | text • abstract |
| Computer Technology and Musical Expression Given at the Mumford Theatre, APU, Nov 2000 as part of the Joint Universities Music Colloquia, and at the University of Birmingham Conference, 'Art Music in the Twentieth Century', Nov 2000 | - | text • abstract • rtf.zip |
| Metaphor, Memes and the Cartesian Music-Hall Given at the APU Staff Research Conference, June 2000 | - | text • abstract • rtf.zip • relevant quotes |
| Metaform and Metaforming Given at the Mumford Theatre, Anglia Ruskin University, Nov 2000 as part of the Joint Universities Music Colloquia, and at the APU Conference, 'Form and Forming', April 2000 | - | text • abstract • rtf.zip • relevant quotes |
| Music Technology and Musical ExpressionGiven as part of the Anglia Ruskin University Staff and Postgraduate Lecture Series, Feb 2000 | - | text • abstract • rtf.zip |
| pSY and The Copenhagen Interpretation Given (in part) as part of the Anglia Ruskin University Staff and Postgraduate Lecture Series, July 1999 | - | text • abstract |
| The Fabric of Music | - | |
| How Real is Music? | - | |
| pSY, Copenhagen and the Perception of Music June 1999 | - | text |
| The Future of Computing in Music Education | - | text • abstract |
| PhD Commentary | - | introduction |
| Choice and Chance | - | text • abstract and index |
| Ideas | - | restricted access |
| Quotes | - | - |
| 3000 Years | - | text |
| Poetry | - | restricted access |
| Sometimes Now | - | text - restricted access |
| This is it | - | text - restricted access |
| Chief Seathl | - | text |
