richard
hoadley
music
edge_violations

edge violations

 

2016

 

for clarinet(s), computers, and projections

texts by Phil Terry

december_variations

december variations

 

2014

 

automatic music for computer, piano and live score projection

edge_violations

edge violations

 

2016

 

for clarinet(s), computers, and projections

texts by Phil Terry

hoadley_hall_and_brown_poster

fluxus

 

2012

 

automatic music for piano and computer

hoadley_hall_and_brown_poster

fluxus

 

2012

 

automatic music for piano and computer

 

also

fluxus tree

 

2012-3

 

automatic music for sculpture, dancer(s), instrument ('cello) and computer

 

photo credit to julio d'escrivan

through_the_sharp_hawthorn

through the sharp hawthorn (blows the cold wind)

 

1987, rev. 1994

 

for flute and piano

the_copenhagen_interpretation

the copenhagen interpretation

 

1999

 

automatic music for four computers and four synthesisers

calders_violin

calder's violin

 

2011

 

automatic music for violin and computer

how_to_play_the_piano

how to play the piano

2015

automatic music for piano and computer

concertino

concertino

 

1988

 

for clarinet, violin, violoncello and piano

quantum_canticorum

quantum canticorum

 

2013

 

automatic music for dancers, clarinet, computer and live score projection

twine

music for twine

 

2018

 

a video by Chris Frazer Smith,

music by Richard Hoadley

 

In collaboration with Argentinian tango,

Twine is a contemporary choreography of intimacy for two exceptional dance artists.

fluxus

fluxus

2012

automatic music for piano and computer

homage_to_cervantes

homanaje a cervantes

 

2017

 

automatic music for violin, computer and live projections

ruskin_songbook_cover_image_from_unthinking_things

The Ruskin Songbook 2018

2018

cover image taken from unthinking things 2018

semaphore

semaphore

 

2014

 

automatic music for dancers, musicians, computer and live score projection

music and programming by Richard Hoadley; text by Phil Terry; choreography by Jane Turner

shilbottle_cobbles

shilbottle cobbles

 

1988-1991

 

wind orchestra

 

 

Listening to Lulu, in our hearth we burn,
as we hear the high Cs rise in stereo,
what was lush swamp club-moss and tree-fern
at least 300 million years ago.
Shilbottle cobbles, Alban Berg high D
lifted from a source that bears your name,
the one we hear decay, the one we see,
the fern from the foetid forest, as brief flame.

Tony Harrison, v

unthinking_materials

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

 

music and programming by Richard Hoadley

text by Bishop George Berkeley