for clarinet, violin, violoncello and piano
The piece is to some extent a reaction to the previous two pieces I had completed: Through the Sharp Hawthorn and Only Connect, both of which had used quite complex and involved compositional methods. Although basically intuitive, they still used rows, matrices and other methods to complete the detail. After moving to Charterhouse in the Summer of 1988, I felt that I wanted to get started in the new environment as soon as possible, and so I wrote Concertino quickly and almost entirely intuitively.
Sound versions available: midi