rhoadley.net

the copenhagen interpretation

1999

automatic music for four computers and four synthesisers

edge violations

2016

for clarinet(s), computers, and projections

texts by Phil Terry

unthinking things (stones)

2018

automatic music for choir, material objects,

electronics and live score projection

music and programming by Richard Hoadley

text by Bishop George Berkeley

ruskin_songbook_cover_image_from_unthinking_things

The Ruskin Songbook 2018

2018

cover image taken from unthinking things 2018

unthinking things

2018-present

automatic music for choir, material objects,

electronics and live score projection

music and programming by Richard Hoadley

text by Bishop George Berkeley

choreograms

2016

automatic music for dancers, musicians, computer and live score projection

music and programming by Richard Hoadley; text by Phil Terry; choreography by Jane Turner

a continual snowfall of petrochemicals

1998-9

automatic music for computers and Yamaha SY synthesisers

This image of Jupiter’s southern hemisphere was taken by NASA’s Juno
spacecraft on October 24 at 2:11 p.m. EDT (11:11 a.m. PDT). At the time the image was
taken, Juno was 20,577 miles (33,115 km) from the tops of the clouds of the planet at
a latitude of minus 52.96 degrees. The color-enhanced view captures one of the white
ovals in the ‘String of Pearls,’ one of eight massive rotating storms at 40 degrees
south latitude on the gas giant.
Image credit: NASA / JPL-Caltech / SwRI / MSSS / Gerald Eichstaedt / Sean Doran.

unthinking things

2018-present

automatic music for choir, material objects,

electronics and live score projection

music and programming by Richard Hoadley

text by Bishop George Berkeley

december mobile

2016-18

for string sextet: two violins, two violas, two violoncellos

calder's violin

2011

automatic music for violin and computer

fluxus

2012

automatic music for piano and computer

fluxus

2012

automatic music for piano and computer

also

fluxus tree

2012-3

automatic music for sculpture, dancer(s), instrument ('cello) and computer

photo credit to julio d'escrivan

shilbottle cobbles

1988-1991

wind orchestra

Listening to Lulu, in our hearth we burn,
as we hear the high Cs rise in stereo,
what was lush swamp club-moss and tree-fern
at least 300 million years ago.
Shilbottle cobbles, Alban Berg high D
lifted from a source that bears your name,
the one we hear decay, the one we see,
the fern from the foetid forest, as brief flame.

Tony Harrison, v