homanaje a cervantes

 

2017

 

automatic music for violin, computer and live projections

five pieces in the alto clef

 

1982

 

for viola

how to play the piano: live notations in music (poster)

 

2016

 

ICMC Utrecht

full sized poster

the copenhagen interpretation

 

1999

 

automatic music for four computers and four synthesisers

shilbottle cobbles

 

1988-1991

 

wind orchestra

 

 

Listening to Lulu, in our hearth we burn,
as we hear the high Cs rise in stereo,
what was lush swamp club-moss and tree-fern
at least 300 million years ago.
Shilbottle cobbles, Alban Berg high D
lifted from a source that bears your name,
the one we hear decay, the one we see,
the fern from the foetid forest, as brief flame.

Tony Harrison, v

choreograms

 

2016

 

automatic music for dancers, musicians,

computer and live score projection

music and programming by Richard Hoadley;

text by Phil Terry;

choreography by Jane Turner

how to play the piano

2015

automatic music for piano and computer

four archetypes

 

1994

 

for large orchestra

 

commissioned by the Cambridge-Heidelberg-Montpelier Orchestra

with funds provided by Eastern Arts

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

music and programming by Richard Hoadley

text by Bishop George Berkeley

edge violations

 

2016

 

for clarinet(s), computers, and projections

texts by Phil Terry

fluxus

 

2012

 

automatic music for piano and computer

the copenhagen interpretation

 

1999

 

automatic music for four computers and four synthesisers

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

 

music and programming by Richard Hoadley

text by Bishop George Berkeley

december variations

 

2014

 

automatic music for computer, piano and live score projection

fluxus

2012

automatic music for piano and computer

 

photograph courtesy of julio d'escrivan

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

 

music and programming by Richard Hoadley

text by Bishop George Berkeley

sextet (still life)

 

1987, rev. 1988

 

for string sextet: two violins, two violas, two violoncellos

choreograms

 

2016

 

automatic music for dancers, musicians, computer and live score projection

music and programming by Richard Hoadley; text by Phil Terry; choreography by Jane Turner