rhoadley.net

five pieces in the alto clef

1982

for viola

four archetypes

1994

for large orchestra

commissioned by the Cambridge-Heidelberg-Montpelier Orchestra

with funds provided by Eastern Arts

fluxus

2012

automatic music for piano and computer

photograph courtesy of julio d'escrivan

fluxus

2012

automatic music for piano and computer

also

fluxus tree

2012-3

automatic music for sculpture, dancer(s), instrument ('cello) and computer

photo credit to julio d'escrivan

the copenhagen interpretation

1999

automatic music for four computers and four synthesisers

shilbottle cobbles

1988-1991

wind orchestra

Listening to Lulu, in our hearth we burn,
as we hear the high Cs rise in stereo,
what was lush swamp club-moss and tree-fern
at least 300 million years ago.
Shilbottle cobbles, Alban Berg high D
lifted from a source that bears your name,
the one we hear decay, the one we see,
the fern from the foetid forest, as brief flame.

Tony Harrison, v

triggered

2016

automatic music for dancers, musicians, sensing devices, hangings and computer

music and programming by Richard Hoadley; choreography by Jane Turner; hangings by

choreograms

2016

automatic music for dancers, musicians, computer and live score projection

music and programming by Richard Hoadley; text by Phil Terry; choreography by Jane Turner

a continual snowfall of petrochemicals

1998-9

automatic music for computers and Yamaha SY synthesisers

This image of Jupiter’s southern hemisphere was taken by NASA’s Juno
spacecraft on October 24 at 2:11 p.m. EDT (11:11 a.m. PDT). At the time the image was
taken, Juno was 20,577 miles (33,115 km) from the tops of the clouds of the planet at
a latitude of minus 52.96 degrees. The color-enhanced view captures one of the white
ovals in the ‘String of Pearls,’ one of eight massive rotating storms at 40 degrees
south latitude on the gas giant.
Image credit: NASA / JPL-Caltech / SwRI / MSSS / Gerald Eichstaedt / Sean Doran.