rhoadley.net

sextet (still life)

1987, rev. 1988

for string sextet: two violins, two violas, two violoncellos

december mobile

2016-18

for string sextet: two violins, two violas, two violoncellos

fluxus

2012

automatic music for piano and computer

unthinking things

2018-present

automatic music for choir, material objects,

electronics and live score projection

music and programming by Richard Hoadley

text by Bishop George Berkeley

four archetypes

1994

for large orchestra

commissioned by the Cambridge-Heidelberg-Montpelier Orchestra

with funds provided by Eastern Arts

fluxus

2012

automatic music for piano and computer

also

fluxus tree

2012-3

automatic music for sculpture, dancer(s), instrument ('cello) and computer

photo credit to julio d'escrivan

unthinking things

2018-present

automatic music for choir, material objects,

electronics and live score projection

music and programming by Richard Hoadley

text by Bishop George Berkeley

how to play the piano

2015

automatic music for piano and computer

fluxus

2012

automatic music for piano and computer

shilbottle cobbles

1988-1991

wind orchestra

Listening to Lulu, in our hearth we burn,
as we hear the high Cs rise in stereo,
what was lush swamp club-moss and tree-fern
at least 300 million years ago.
Shilbottle cobbles, Alban Berg high D
lifted from a source that bears your name,
the one we hear decay, the one we see,
the fern from the foetid forest, as brief flame.

Tony Harrison, v

triggered

2016

automatic music for dancers, musicians, sensing devices, hangings and computer

music and programming by Richard Hoadley; choreography by Jane Turner; hangings by