{"id":423,"date":"2018-07-10T14:24:58","date_gmt":"2018-07-10T14:24:58","guid":{"rendered":"http:\/\/rhoadley.net\/wp\/?p=423"},"modified":"2021-08-21T15:28:35","modified_gmt":"2021-08-21T15:28:35","slug":"how-to-play-the-piano","status":"publish","type":"post","link":"https:\/\/rhoadley.net\/wp\/?p=423","title":{"rendered":"How To Play the Piano"},"content":{"rendered":"<p><a href=\"https:\/\/rhoadley.net\/comp\/how\/\">How To Play the Piano (2014-5)<\/a><\/p>\n<p>automatic music for piano, computer and live score projection<\/p>\n<p>music and programming by Richard Hoadley; text by Katharine Norman<\/p>\n<p>performance at the INTIME Conference, Saturday 24th October 2015, Coventry University<br \/>\nperformance in the Music as Process Conference, Saturday June 6th, Goldsmiths, London<br \/>\nperformance at Campus Explore, 2:15pm, Recital Hall, Anglia Ruskin University, Tuesday 12th May 2015.<br \/>\nperformance at 1pm, 8th May 2015, University of Hertfordshire, a part of the Sonic Herts<br \/>\nperformance in a concert of music for piano and electronics, 7:30-8:30pm, 26th February 2015 PACE 1, De Montfort University, a part of the Cultural Exchanges Festival<br \/>\nperformance by Philip Mead at the London International Piano Symposium, Royal College of Music, Saturday February 14th<\/p>\n<p>How to Play the Piano in 88 Notes (a part of Piano Glyphs) from Richard Hoadley on Vimeo.<\/p>\n<p>More images in the gallery<\/p>\n<p>Poetry by Katharine Norman<br \/>\nMusic and programming by Richard Hoadley<\/p>\n<p>Performance on 12th May 2015 by Philip Mead<br \/>\nAnglia Ruskin University Recital Hall<\/p>\n<p>How to Play the Piano in 88 Notes (a part of Piano Glyphs), poetry by Katharine Norman, piano by Philip Mead from Richard Hoadley on Vimeo.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>How To Play the Piano (2014-5) automatic music for piano, computer and live score projection music and programming by Richard Hoadley; text by Katharine Norman performance at the INTIME Conference, Saturday 24th October 2015, Coventry University performance in the Music &hellip; <a href=\"https:\/\/rhoadley.net\/wp\/?p=423\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/rhoadley.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/423"}],"collection":[{"href":"https:\/\/rhoadley.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rhoadley.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rhoadley.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rhoadley.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=423"}],"version-history":[{"count":3,"href":"https:\/\/rhoadley.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/423\/revisions"}],"predecessor-version":[{"id":476,"href":"https:\/\/rhoadley.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/423\/revisions\/476"}],"wp:attachment":[{"href":"https:\/\/rhoadley.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=423"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rhoadley.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=423"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rhoadley.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}