Image taken from: http://jubal.westnet.com/hyperdiscordia/library_of_babel.html
The Borges short story is also posted here.
Software, Composition, Aesthetics, Analysis, Artificial Intelligence
The Library of Babel Online
The Library of Babel Interpreted
A phase space is one in which individual points each represent the complete state of a given system, and where such points are organised according to their macroscopic similarity. So, for instance, a room filled with gas would be represented by a phase space, the vast majority of which would comprise points representing the gas in a state of thermal equilibrium. Tiny proportions of the space would represent the gas in highly unusual states, such as entirely occupying a small space in one corner of the room. Effectively, such conditions can only arise due to some previous 'event' or 'circumstance'. Once entropy has occurred the state of the room rapidly enters larger spaces, closer to that of thermal equilibrium and the chance that it can return to the original space reduces to near zero.
In order to investigate the nature of the Sound Archive, we need to know how to construct and manipulate sound files in a variety of file formats.
Syntrillium Audio Course
http://fileformat.virtualave.net/ http://www.artbytes.net/webpub/formats.htm http://www.hyperstudio.com/resource/hyperfest98/handouts/soundz/Soundz2.html http://www.wotsit.org/ http://www.epanorama.net/pc/sound.html http://www.lightlink.com/tjweber/StripWav/WAVE.html http://www.nanotech.wisc.edu/~ebrodsky/sndlinks.html Sound Programming Resources http://www.harmony-central.com/Computer/Programming/ Audio Programming http://www.svb.nl/project/harmonica/Deliverables/D363.htm ACCOMPANYING ACTION ON MUSIC INFORMATION IN LIBRARIES
http://www.opensound.com/ossapps.html Applications for Open Sound System
http://synthesis.fap7.com/synshare.htm http://music.utsa.edu/tdml/conf-II/II-Lipscomb.html The Personal Computer as Research Tool and Music Educator http://www.wam.umd.edu/~cpbrown/ a model for synthesizing sound in three dimensions http://www.awl-he.com/titles/0201419726.html Programmers Guide to Sound, A
http://www.csounds.com/ezine/Summer1999/EcoCMask.html Using CMask in ecological modeling
http://stripe.colorado.edu/~drumhell/4131sp01.html: MUSC 4131 ADVANCED SYNTHESIS - SPRING 2001 http://www.neuroinformatik.ruhr-uni-bochum.de/ini/PEOPLE/heja/sy-list.html SY Archive
http://www.troikaranch.org/geekpage.html MIDI Sensors
http://fargo.itp.tsoa.nyu.edu/~dano/physical/physical.html Physical Computing
As the overwhelming majority of all sound materials in the archive consists of noise, clearly, one approach to its filtering is the use of noise reduction algorithms. Indeed, it is, arguably, the only possible approach to searching the archive.
Noise Reduction Algorithms: www.vislab.usyd.edu.au Noise Reduction Algorithms: www.vislab.usyd.edu.au Tracer Technologies On Noise Reduction in Iterative Image Reconstruction Algorithms for Emission Tomography: Median Root Prior, Sakari Alenius Nonlinear Prediction and Noise Reduction Quantum Level Noise Reduction Wardlabs Noise Reduction Systems MegaSpider Parrot Noisetamer A novel iterative signal enhancement algorithm for noise reduction in speech Physical and analogue noise reduction techniques Gramofile Source
C.f. Hofstadter and Dennett, The Mind's Eye Penrose, The Emperor's New Mind, 1989 David Deutsch, The Fabric of Reality, p113, 1997 Keats, Ode to a Nightingale, 1820 Interview in Omni magazine (June 1986), quoted in 'Penrose Tiles to Trapdoor Ciphers', Martin Gardner, 1989 Dennett Consciousness Explained, 1991, p94-95 Jorge Luis Borges, 'Labyrinths' 1962 Daniel Dennett, 'Darwin's Dangerous Idea', 1995 Dawkins, The Extended Phenotype, 1982 Richard Dawkins, The Blind Watchmaker, 1986, p162
NB This page has been constructed automatically from a text file and as such may contain certain errors.